Нуқтаи истинод, на китоби қоидаҳо
Нақшаи эҷодкории TimTim.Live
Чаро ин лоиҳа вуҷуд дорад, он чиро, ки Конпа дар ин ҷо маъно дорад ва чӣ тавр ҳар кас, ки ба он кӯмак мекунад, — оила, ҳамкорӣ ё гурӯҳи оянда — қарор қабул карда метавонад.
Чаро ин мавҷуд аст
TimTim.Live exists to create joyful Konpa music that connects people, celebrates Haiti, and inspires curiosity about the world.
Through songs, stories, and cultural experiences, this is a living musical journey — not a finished catalog. It's meant to keep growing: new songs, new countries, new collaborators, for as long as anyone wants to carry it forward.
Дар ин ҷо чӣ маънои Konpa
Konpa was created in Haiti in 1955 by saxophonist Nemours Jean-Baptiste, built for one purpose: to get a room full of people dancing together, no matter what else is going on outside.
In this project, Konpa is never just a genre label. It's the Haitian half of a Haitian-American story — Caribbean roots, colored by African guitar and reggae, shaped by decades of American life. Every song should feel like that specific person telling that specific truth, not a generic "world music" pastiche.
Маъноҳое, ки кори навро ҳидоят мекунанд
Достонҳои ҳақиқӣ, на дурӯғгӯён
Ҳар суруд, ҳар саҳифаи мамлакат, ҳар як навиштаҷот, чизеро, ки дар ҳақиқат рӯй дод ё ба таври ростӣ меравад, тасвир мекунад.
Мероси Konpa ҳисоб карда мешавад, на танҳо истифода мешавад
Неморс Жан-Баптист ва тартиботи Конпа аз ном гирифта мешавад, ҳар вақт — ин лоиҳа садоро дароз мекунад ва таърихи он қарз дорад.
Ҳар суруд ато аст, на баландии таркиб
Интистест, ки "хе, ки ин ба маданияти нав ё дӯсти нав" пеш аз" чӣ тавр ин фуруд мегирад.
Қаър аз ҳаҷм
Як суруд бо сурудҳои ҳақиқӣ, сурудҳо, тарҷумаҳои ҳақиқиро ва алоқаи ҳақиқии мамлакат даҳ пайгири асосӣ мебошанд.
Чӣ набояд тағйир диҳад
- ●The Haitian-American identity at the center of it — this is not a generic "world music" brand and never should become one.
- ●Crediting Konpa's real origin (Nemours Jean-Baptiste, 1955 Haiti) whenever the genre is explained.
- ●Honesty in every number shown publicly — no inflated counts, no fabricated milestones, no backfilled history.
- ●Every song and country page staying free to experience — the music is a gift, not a paywall.
Он чиро, ки ба инкишоф овардан барангехтааст
- →New genres and collaborators, as long as the Haitian-American throughline stays legible.
- →New languages, translations, and countries — the catalog is built to grow this way from day one.
- →New formats: video, live performance, education, community covers — anything that makes a song a living experience rather than a static track.
- →The tools and platforms this runs on. The values above matter far more than any particular tech stack.
Барои ҳокимиятҳои оянда
If you're reading this because you've inherited this project, or you're helping carry it forward: you don't need to guess what would have been wanted. Use this page.
When a decision doesn't have an obvious answer, ask which choice serves the person listening to a song for the first time — not which choice is easiest to build or most impressive to announce.
When in doubt about whether something belongs, the test is simple: does it help someone discover, perform, or share the Konpa story — or does it just add noise around it?