Punt ta' referenza, mhux ktieb tar-regoli
Il-Karta Kreattiva TimTim.Live
Għaliex dan il-proġett jeżisti, dak Konpa tfisser hawn, u kif kull min jgħinu twettaq dan il-familja through, kollaboraturi, jew tim futur through jistgħu jieħdu deċiżjonijiet fl-istess spirtu li beda fiha.
Għaliex dan jeżisti
TimTim.Live exists to create joyful Konpa music that connects people, celebrates Haiti, and inspires curiosity about the world.
Through songs, stories, and cultural experiences, this is a living musical journey — not a finished catalog. It's meant to keep growing: new songs, new countries, new collaborators, for as long as anyone wants to carry it forward.
Xi tfisser Konpa hawn
Konpa was created in Haiti in 1955 by saxophonist Nemours Jean-Baptiste, built for one purpose: to get a room full of people dancing together, no matter what else is going on outside.
In this project, Konpa is never just a genre label. It's the Haitian half of a Haitian-American story — Caribbean roots, colored by African guitar and reggae, shaped by decades of American life. Every song should feel like that specific person telling that specific truth, not a generic "world music" pastiche.
Il-valuri li jiggwidaw xogħol ġdid
Stejjer veri, mhux ivvintati
Kull kanzunetta, kull paġna pajjiż, kull entrata notebook jiddeskrivi xi ħaġa li fil-fatt ġara jew huwa onest għadhom fil-progress qatt lura mimlija, qatt minfuħa.
Il-wirt tal-konpa huwa kkreditat, mhux biss użat
Nemours Jean-Baptiste u t-tradizzjoni Konpa ġej mill jiksbu msemmija, kull darba ispazju dan il-proġett tissellef il-ħoss u jaf l-istorja tiegħu.
Kull kanzunetta hija rigal, mhux pitch prodott
L-istint huwa dejjem "li ma dan jintroduċu lil kultura ġdida jew ħabib ġdid" qabel "kif ma dan bejgħ."
Fond fuq il-volum
Wieħed kanzunetta ma 'storja reali, lirika reali, traduzzjonijiet reali, u konnessjoni pajjiż reali taħbita għaxar binarji wolow.
X'm'għandu qatt jinbidel
- ●The Haitian-American identity at the center of it — this is not a generic "world music" brand and never should become one.
- ●Crediting Konpa's real origin (Nemours Jean-Baptiste, 1955 Haiti) whenever the genre is explained.
- ●Honesty in every number shown publicly — no inflated counts, no fabricated milestones, no backfilled history.
- ●Every song and country page staying free to experience — the music is a gift, not a paywall.
X'inhu mħeġġeġ biex jevolvu
- →New genres and collaborators, as long as the Haitian-American throughline stays legible.
- →New languages, translations, and countries — the catalog is built to grow this way from day one.
- →New formats: video, live performance, education, community covers — anything that makes a song a living experience rather than a static track.
- →The tools and platforms this runs on. The values above matter far more than any particular tech stack.
Għal kustodji futuri
If you're reading this because you've inherited this project, or you're helping carry it forward: you don't need to guess what would have been wanted. Use this page.
When a decision doesn't have an obvious answer, ask which choice serves the person listening to a song for the first time — not which choice is easiest to build or most impressive to announce.
When in doubt about whether something belongs, the test is simple: does it help someone discover, perform, or share the Konpa story — or does it just add noise around it?