ルールブックではありません
TimTim.Live 創造 的 な シャテル
この プロジェクト が 存在 し て いる の は なぜ です か。
なぜこれが存在します
TimTim.Live exists to create joyful Konpa music that connects people, celebrates Haiti, and inspires curiosity about the world.
Through songs, stories, and cultural experiences, this is a living musical journey — not a finished catalog. It's meant to keep growing: new songs, new countries, new collaborators, for as long as anyone wants to carry it forward.
コンパの意味はここに
Konpa was created in Haiti in 1955 by saxophonist Nemours Jean-Baptiste, built for one purpose: to get a room full of people dancing together, no matter what else is going on outside.
In this project, Konpa is never just a genre label. It's the Haitian half of a Haitian-American story — Caribbean roots, colored by African guitar and reggae, shaped by decades of American life. Every song should feel like that specific person telling that specific truth, not a generic "world music" pastiche.
新しい仕事を指導する値
実際の故事ではありません
すべて の 歌 , 全国 の ページ , すべたり の 注目 記事 は , 実際 に 起き た 事柄 を 描写 し て い ます か , まだ 正直 に 進歩 し て い ませ ん。
コンパの遺伝子は指定されています 使われています
ジョン・バプテストとコンパの伝統は、このプロジェクトは音を借り、その歴史を借ります。
すべて の 歌 は , 生物 波 で は あり ませ ん。
新しい文化や新しい友達を介入する者は、これは、どうやって売る前に。
音量上の深度
真 の 故事 , 真 の ことば , 実際 的 な 翻訳 , 現実 の 国 の 接続 は , 十 度 の 低い トラック を 破壊 し て い ます。
変更しないことは
- ●The Haitian-American identity at the center of it — this is not a generic "world music" brand and never should become one.
- ●Crediting Konpa's real origin (Nemours Jean-Baptiste, 1955 Haiti) whenever the genre is explained.
- ●Honesty in every number shown publicly — no inflated counts, no fabricated milestones, no backfilled history.
- ●Every song and country page staying free to experience — the music is a gift, not a paywall.
発展することが 鼓励されている
- →New genres and collaborators, as long as the Haitian-American throughline stays legible.
- →New languages, translations, and countries — the catalog is built to grow this way from day one.
- →New formats: video, live performance, education, community covers — anything that makes a song a living experience rather than a static track.
- →The tools and platforms this runs on. The values above matter far more than any particular tech stack.
将来 の 保護 者 たち に
If you're reading this because you've inherited this project, or you're helping carry it forward: you don't need to guess what would have been wanted. Use this page.
When a decision doesn't have an obvious answer, ask which choice serves the person listening to a song for the first time — not which choice is easiest to build or most impressive to announce.
When in doubt about whether something belongs, the test is simple: does it help someone discover, perform, or share the Konpa story — or does it just add noise around it?