Cyfeiriant pwynt arnawf
The TimTim.Live Creative Charter
Pam mae'r prosiect hwn yn bodoli, beth mae'n ei olygu, a sut mae unrhyw un sy'n helpu ymlaen llaw i gario teulu, yn y dyfodol, neu'r ysbryd glân.
Pam mae hyn yn bodoli'n barod
TimTim.Live exists to create joyful Konpa music that connects people, celebrates Haiti, and inspires curiosity about the world.
Through songs, stories, and cultural experiences, this is a living musical journey — not a finished catalog. It's meant to keep growing: new songs, new countries, new collaborators, for as long as anyone wants to carry it forward.
Pa Konpa yma
Konpa was created in Haiti in 1955 by saxophonist Nemours Jean-Baptiste, built for one purpose: to get a room full of people dancing together, no matter what else is going on outside.
In this project, Konpa is never just a genre label. It's the Haitian half of a Haitian-American story — Caribbean roots, colored by African guitar and reggae, shaped by decades of American life. Every song should feel like that specific person telling that specific truth, not a generic "world music" pastiche.
Y gwerthoedd sydd yn gweithio newydd
straeon Real, nid yn y rhai sy'n cael eu darllen
Mae pob cân, pob gwlad, pob cofnod gwyn yn disgrifio rhywbeth sy'n digwydd neu mewn cynnydd difrifol yn dal yn ôl, byth yn cael eu torri yn ôl, yn ôl yn ei gefn.
italyprovince. kgm
Nemis Jean-Bists a'r Gweriniaeth Tsiec yn dod o'r enw hwn, pob tro a'r prosiectau hyn sy'n ddyledus i'w hanes.
Bob cân yn anrheg, nid yw'n werth cynnwys
Mae'r person sy'n wastad yn "a rhywun yn cyflwyno'r diwylliant hwn i ddiwylliant newydd o'r blaen. "
Dyfnder lefel sain
Mae un cân â stori go iawn, geiriau go iawn, a geiriau go iawn yn fwy go iawn.
Beth na ddylai byth newid
- ●The Haitian-American identity at the center of it — this is not a generic "world music" brand and never should become one.
- ●Crediting Konpa's real origin (Nemours Jean-Baptiste, 1955 Haiti) whenever the genre is explained.
- ●Honesty in every number shown publicly — no inflated counts, no fabricated milestones, no backfilled history.
- ●Every song and country page staying free to experience — the music is a gift, not a paywall.
Pa anogaeth sydd wedi eu annog i ddyfalbarhau
- →New genres and collaborators, as long as the Haitian-American throughline stays legible.
- →New languages, translations, and countries — the catalog is built to grow this way from day one.
- →New formats: video, live performance, education, community covers — anything that makes a song a living experience rather than a static track.
- →The tools and platforms this runs on. The values above matter far more than any particular tech stack.
Ar gyfer dyfodolntohos
If you're reading this because you've inherited this project, or you're helping carry it forward: you don't need to guess what would have been wanted. Use this page.
When a decision doesn't have an obvious answer, ask which choice serves the person listening to a song for the first time — not which choice is easiest to build or most impressive to announce.
When in doubt about whether something belongs, the test is simple: does it help someone discover, perform, or share the Konpa story — or does it just add noise around it?